Music Review
-
ALBUM REVIEW: Rain Falling Up by American Anymen
There were 3 bands in 2022 that put metal in its various genres back in my heart – Haunted by…
-
ALBUM REVIEW: Sacred & Profane by Oryad
Out now, Sacred & Profane finds Oryad adding opera and jazz to their prog metal sound. Oryad is fronted by…
-
ALBUM REVIEW: Not Without My Ghosts by The Amity Affliction
I am a music lover. Have been since a child. I am also a writer. Have been since I could…
-
DEBUT ALBUM REVIEW: Bleed to Life by Vonavibe
Bleed to Life, the debut album by Vonavibe could’ve been the album that never was. Vonavibe entered the studios in…
-
EP REVIEW: Live at Bakehouse by Lipstereo
Australia’s four-piece Lipstereo recently released their EP Live at Bakehouse and while the band covers a multitude of themes including…
-
EP REVIEW: Time is Elastic by Middle Part
I was finally able to sit down and spend some time with Time is Elastic by Middle Part and it…
-
EP REVIEW: Working Memory by Sun Spot
Bristol’s 4 piece, Sun Spot, recently announced they signed with Venn Records and have now released their latest EP, Working…
-
ALBUM REVIEW: Blood & Glitter Deluxe Edition by Lord of the Lost
We reviewed Blood & Glitter Track by Track and this review will focus on the extra 16 tracks of the…
-
EP REVIEW: Tales of a Taurus by Rebecca Lappa
Released earlier this month, Tales of a Taurus by Rebecca Lappa showcases the growth of the award-winning Candian singer-songwriter. Of…
-
ALBUM REVIEW: Roden House Blues by The Hip Priests
Released at the beginning of May, the 5th studio album, Roden House Blues by The Hip Priests was rehearsed, recorded,…
-
SONG REVIEW: “Baptize” by Saving Abel
There was not a chance I wasn’t going to like “Baptize” by Saving Abel. I have a soft spot in…
-
EP REVIEW: Retro Future Soundscape by All the Damn Vampires
The latest EP from All the Damn Vampires, Retro Future Soundscapes lives up to its title. The music is retro.The…
-
ALBUM REVIEW: Black Arcs Rising by Statues
The trio that forms Statues, Johan Sellman on vocals and guitar, Magnus Egerbladh Öberg on drums, and Henrik Wiklund on…
-
EP REVIEW: 275 Kings Point Road by Olive Louise
We recently reviewed the song “Moroccan Oranges” by Olive Louise and we have finally gotten the chance to sit down…
-
EP REVIEW: EP2 by The Know
Formed in late 2018, Daniel Knowles and Jennifer Farmer forwent travelling and stayed in LA to create music. The duo…
-
DEBUT ALBUM REVIEW: The Beginning of Everything by Alma Mater
Hailing from Oregon, Dirk Sullivan and Andrew Paul Woodworth, are better known as the duo Alma Mater. Released several weeks…
-
SONG REVIEW: “Dead Wrestlers” by Baby Schillaci
First, I owe Baby Schillaci an apology. I’ve been pronouncing their name wrong. It’s not ‘shh-uh-laci” but “sk-uh-latch-ee” and I’m…
-
TRACK BY TRACK: Deathproof by Krooked Tongue
On Friday May 5th, Bristol based trio Krooked Tongue will be dropping their sophomore EP, Deathproof, and let me tell…
-
ALBUM REVIEW: Damn Love by Kip Moore
One of the most highly anticipated albums on my 2023 list has been Damn Love by Kip Moore. Well, the…
-
TRACK by TRACK: Past Selves by Sub-Radio
I discovered Sub-Radio a few weeks ago, when the Instagram algorithms suggested I might like a reel where the band…
-
ALBUM REVIEW: Laws of Entropy by Redshift
When I first heard “Entropy” by Redshift, I thought: Pure madness. Glorious madness. Those two statesmens still stand true or…
-
DEBUT ALBUM REVIEW: What a Weird Hill to Die On by Old Dirty Buzzard
Kicking off What a Weird Hill to Die On (out on April 28th) is a cover of Charlie Daniels Band’s…
-
ALBUM REVIEW: Sock by Sock
Harmonies – check. Deep 60’s 70’s chill – check. If one is craving the sounds of when music was filled…
-
DEBUT ALBUM REVIEW: Superglue by Joan
There’s a period within the late 90’s and early 2000’s where alternative rock had a distinct sound that was poppy.…