Hailing from the Blue Mountains of Australia, Carmeria returns with their anticipated sophomore album, Tragédie D’amour. The follow-up to their debut Advenae marks an evolution in their sound and artistic vision. With a new lineup and a fresh creative direction, the Australian dark symphonic metal band delivers an album that marries gothic rock’s brooding energy with symphonic grandeur.
Under the direction of Jordan von Grae, who takes on both vocal duties and production responsibilities with drummer Lachlan Blackwood, Tragédie D’amour ventures into personal and emotionally charged territories. Their production brings a nuanced and introspective quality to the album that reflects experiences of love and loss. Their effort to avoid stagnation is evident, as the album features a more dynamic and energetic gothic rock approach compared to their previous work.
The album opens with “Call Forth My Sorrow,” setting a melancholic tone with its rich orchestration and Jordan’s haunting vocals. Tracks like “A Thousand Winter Rains” and “Thorns” showcase the band’s ability to blend symphonic elements with intense, driving rhythms that create a compelling sonic landscape. “Leading the Lyre” and “Whispers of Forgiveness” further illustrate Carmeria’s skillful incorporation of gothic rock’s emotional power with their signature dark symphonic style.
The album’s highlights include “Shadow’s Throne,” a powerful exploration of despair and resilience, and “Burning Ships,” which combines atmospheric keys from Mishka Bobrov with Emma Louise Nagy’s deep bass lines and vocals and Jerry Zahija’s soaring guitarwork. “A Vision in Passing,” closes the album’s journey with a touching and reflective conclusion.
Tragédie D’amour is not only a testament to the Carmeria’s growth and ambition, but to their desire to continually push themselves out of their own comfort zones and create music that connects to audiences on a deeper level.
Artwork by Digital Art – Mr_Anas1
