Shelia Taylor
-
NEW NOISE: “Goodbye” by Andrew Cushin
“Goodbye” recognises how easily self-worth can become the loudest voice in the room…
-
ALBUM REVIEW: The Best of Judas Priest by Judas Priest
While the years have largely disappeared, what remains is the unmistakable sound of a band that never stopped sounding like…
-
NEW NOISE: “Bwletin Brys” by HMS Morris
It’s playful, angular, and gloriously odd, yet beneath its sci-fi absurdity is a remarkable sense of control.
-
QUICK SPIN: “Floating Here For Years” by Among Legends
For all its restless energy, “Floating Here For Years” isn’t about escape.
-
DEBUT ALBUM: Neon Goth by William Bleak
Neon Goth never mistakes survival for redemption. By the time the final notes disappear, there are no answers waiting.
-
STATIC THOUGHTS: No Such Thing as Neutral Noise
You’re not just listening anymore. You’re negotiating.
-
ALBUM REVIEW: Les Agnst ov Thanatou by Blood of Angels
Blood of Angels have delivered a record that feels like a necessary catharsis. One that emphasises the impact of loss…
-
ALBUM REVIEW: Jenkem by The Dwarves
The Dwarves remain a singular and unpredictable presence, proving that some bands don’t need to adapt to the times when…
-
ALBUM REVIEW: Reason to Believe by Kip Moore
If anyone still thinks Kip Moore is only a country artist, they probably haven’t been paying attention because Reason to…
-
DEBUT EP REVIEW: Butcher, Lover, Runner by Jean Elliot
The EP doesn’t invite one in. It pulls them into the thick of its world, leaving them covered in the…
-
NEW NOISE: “Halo” by Forgotten Shrine
A duo typically rooted in the shadows of folk metal, Forgotten Shrine veer away from heaviness to explore a softer…
-
QUICK SPIN: “Close In” by Tonic Breed
While Tonic Breed has historically been a conduit for high-octane metal, “Close In” showcases a melodic maturity that feels like…
-
SECOND SPIN: Getting Through by The Question
It is a necessary restoration of a band that was always just one lucky break away from massive success.
-
ALBUM REVIEW: House of Cards by The Amity Affliction
House of Cards is feral, painfully emotional, ruthlessly raw, and a testament to the growth of a band not just…
-
DEBUT ALBUM REVIEW: I Know a Place by Krooked Tongue
Using music as a secret hideout and lyrics as a quiet conversation, I Know a Place is a sanctuary from…
-
QUICK SPIN: “Time to Breathe” by Remington Super 60
The band can still find a new sound without losing the nostalgic and handmade charm that makes their music feel…
-
ALBUM REVIEW: Dogma by LungBurner
A record that is as intellectually demanding as it is sonically crushing.
-
QUICK SPIN: “Swallow” by Officer Lucifer
Officer Lucifer hits a nerve with “Swallow”. It’s a track that feels like a physical pushback against being fed a…
-
SOUND CHECK: Beyond The Dawn by Anthea
It’s a record about growth and transformation that actually sounds as resilient as its themes.
-
QUICK SPIN: “The Idiots Have Taken Over” by General Chaos
The band lets repetition do the work by building pressure through consistency rather than speed. It’s a direct, no frills…
-
BOOK REVIEW: Aubrey Wants to Die by Pip Knight
Vamps are fun again! At the heart of Aubrey Wants to Die is a book that reminds us that whether…
-
NEW NOISE: “Happy Healed Hoe” by Qveen Herby
“Happy Healed Hoe” is a manifesto on how to flip the page for whatever is coming next.
-
ALBUM REVIEW: The Second I’m Asleep by The Boxer Rebellion
The Second I’m Asleep leaves behind a feeling of waking up from a particularly vivid dream. It’s a record that…
-
NEW NOISE: “Levee” by Kip Moore
A gritty and raucous ‘viva la revolución’ anthem that dares one to fight back and not wait for the flood…