NEW NOISE: “Body Horrific” by Erotic Secrets of Pompeii Erotic Secrets of Pompeii consider the ridiculousness of being human and perhaps provide a guide to understanding it.
ALBUM REVIEW: Mayfield by Rusty Shackle Mayfield may be rooted in where Rusty Shackle has come from, but its musical identity is connected beyond that.
THE KIDS WILL US: A Coven Called Witch Club Satan Witch Club Satan isn’t simply a band name. It is a set of instructions.
DEBUT ALBUM REVIEW: Those Who Do Not Build Must Burn by Sunswarm A record that feels less like listening to aggression and more like being trapped inside its rhythm.
NEW NOISE: “It’s About Soul” by The Lael Project (Lael Summer) Knowing how someone’s story ends inevitably changes the way we hear their voice. It can add weight to their words
NEW NOISE: “Midnight Coven Crush” by Nova Riot Catchy and confrontational, "Midnight Coven Crush" lets the hooks draw one in before revealing the grin hiding behind them, proving
QUICK SPIN: “Medicine” by Dela Kay Pop music often smooths away emotional complexity. Rock tends to leave the rough edges intact. Dela Kay‘s “Medicine” sits somewhere
SOUND CHECK: Beautiful Things by Donnie Vie Beautiful Things shows that a great melody does not need to age out of relevance.
SOUND CHECK: 2D Complex by Dehumanizing Itatrain Worship Sometimes chaos isn't the absence of order. Sometimes it's simply an order that speaks a different language.
NEW NOISE: “Seventeen” by Young Martyrs “Seventeen” reminds us that sometimes the things we thought broke us were the same things that allowed us to become
DEBUT SINGLE: “Tell Me More About the Dark” by Super Free “Tell Me More About the Dark” isn’t a confession. It’s an invitation that offers someone the chance to speak about
QUICK SPIN: “Strike and Kill” by Devildriver There's an undeniable fuck around and find out attitude running through Devildriver’s latest single, "Strike and Kill".
NEW NOISE: “When The Sun Comes Out At Night” by Fimbul Winter There’s no triumphant resolution, just an unsettling awareness that some knowledge can only be heard after the noise has stopped.
EP REVIEW: Laws of Karma by Pythonic Every element sounds like it has been reduced to necessity. What remains is not resolution, but survival after clarity.
SOUND CHECK: A Shrine by the Sea by Gods & Punks A Shrine by the Sea rewards patience by unfolding with the quiet persistence of rain over open water.
NEW NOISE: “Goodbye” by Andrew Cushin "Goodbye" recognises how easily self-worth can become the loudest voice in the room...
ALBUM REVIEW: The Best of Judas Priest by Judas Priest While the years have largely disappeared, what remains is the unmistakable sound of a band that never stopped sounding like
NEW NOISE: “Bwletin Brys” by HMS Morris It's playful, angular, and gloriously odd, yet beneath its sci-fi absurdity is a remarkable sense of control.
QUICK SPIN: “Floating Here For Years” by Among Legends For all its restless energy, "Floating Here For Years" isn't about escape.
DEBUT ALBUM REVIEW: Neon Goth by William Bleak Neon Goth never mistakes survival for redemption. By the time the final notes disappear, there are no answers waiting.
STATIC THOUGHTS: No Such Thing as Neutral Noise You’re not just listening anymore. You’re negotiating.
ALBUM REVIEW: Les Agnst ov Thanatou by Blood of Angels Blood of Angels have delivered a record that feels like a necessary catharsis. One that emphasises the impact of loss
ALBUM REVIEW: Jenkem by The Dwarves The Dwarves remain a singular and unpredictable presence, proving that some bands don't need to adapt to the times when