Shelia Taylor
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NEW NOISE: “It’s About Soul” by The Lael Project (Lael Summer)
Knowing how someone’s story ends inevitably changes the way we hear their voice. It can add weight to their words…
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NEW NOISE: “Midnight Coven Crush” by Nova Riot
Catchy and confrontational, “Midnight Coven Crush” lets the hooks draw one in before revealing the grin hiding behind them, proving…
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QUICK SPIN: “Medicine” by Dela Kay
Pop music often smooths away emotional complexity. Rock tends to leave the rough edges intact. Dela Kay‘s “Medicine” sits somewhere…
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SOUND CHECK: Beautiful Things by Donnie Vie
Beautiful Things shows that a great melody does not need to age out of relevance.
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SOUND CHECK: 2D Complex by Dehumanizing Itatrain Worship
Sometimes chaos isn’t the absence of order. Sometimes it’s simply an order that speaks a different language.
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NEW NOISE: “Seventeen” by Young Martyrs
“Seventeen” reminds us that sometimes the things we thought broke us were the same things that allowed us to become…
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DEBUT SINGLE: “Tell Me More About the Dark” by Super Free
“Tell Me More About the Dark” isn’t a confession. It’s an invitation that offers someone the chance to speak about…
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QUICK SPIN: “Strike and Kill” by Devildriver
There’s an undeniable fuck around and find out attitude running through Devildriver’s latest single, “Strike and Kill”.
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NEW NOISE: “When The Sun Comes Out At Night” by Fimbul Winter
There’s no triumphant resolution, just an unsettling awareness that some knowledge can only be heard after the noise has stopped.
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EP REVIEW: Laws of Karma by Pythonic
Every element sounds like it has been reduced to necessity. What remains is not resolution, but survival after clarity.
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SOUND CHECK: A Shrine by the Sea by Gods & Punks
A Shrine by the Sea rewards patience by unfolding with the quiet persistence of rain over open water.
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NEW NOISE: “Goodbye” by Andrew Cushin
“Goodbye” recognises how easily self-worth can become the loudest voice in the room…
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ALBUM REVIEW: The Best of Judas Priest by Judas Priest
While the years have largely disappeared, what remains is the unmistakable sound of a band that never stopped sounding like…
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NEW NOISE: “Bwletin Brys” by HMS Morris
It’s playful, angular, and gloriously odd, yet beneath its sci-fi absurdity is a remarkable sense of control.
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QUICK SPIN: “Floating Here For Years” by Among Legends
For all its restless energy, “Floating Here For Years” isn’t about escape.
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DEBUT ALBUM REVIEW: Neon Goth by William Bleak
Neon Goth never mistakes survival for redemption. By the time the final notes disappear, there are no answers waiting.
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STATIC THOUGHTS: No Such Thing as Neutral Noise
You’re not just listening anymore. You’re negotiating.
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ALBUM REVIEW: Les Agnst ov Thanatou by Blood of Angels
Blood of Angels have delivered a record that feels like a necessary catharsis. One that emphasises the impact of loss…
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ALBUM REVIEW: Jenkem by The Dwarves
The Dwarves remain a singular and unpredictable presence, proving that some bands don’t need to adapt to the times when…
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ALBUM REVIEW: Reason to Believe by Kip Moore
If anyone still thinks Kip Moore is only a country artist, they probably haven’t been paying attention because Reason to…
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DEBUT EP REVIEW: Butcher, Lover, Runner by Jean Elliot
The EP doesn’t invite one in. It pulls them into the thick of its world, leaving them covered in the…
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NEW NOISE: “Halo” by Forgotten Shrine
A duo typically rooted in the shadows of folk metal, Forgotten Shrine veer away from heaviness to explore a softer…
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QUICK SPIN: “Close In” by Tonic Breed
While Tonic Breed has historically been a conduit for high-octane metal, “Close In” showcases a melodic maturity that feels like…
