Shelia Taylor
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DEBUT ALBUM REVIEW: DeathAssault by DeathAssault
it understands power as discipline and on the other side, it delivers volume, not only in sound but in attitude…
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STATIC THOUGHTS: Moral Filters and Musical Memory
Accountability only sticks when it doesn’t cost us a favourite song.
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SOUND CHECK: Tekosa by Ata Dune
Tekosa is a handshake between human intent and the rigid logic of software.
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SOUND CHECK: Remorse of Conscience by Agenbite Misery
Translating the prose of James Joyce’s Ulysses into visceral music, Remorse of Conscience by Agenbite Misery moves beyond mere adaptation…
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SOUND CHECK: Rebirth by Cartoons Can’t Die
Rebirth is unpredictable, sharp, and vibrating with mayhem.
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QUICK SPIN: “Tandem Bike” by The Trampoline Day
“Tandem Bike” turns a shared tattoo of companionship into one a moody fuzz filled song that quietly roars with unpolished…
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NEW NOISE: “Song In Parts” by Peiriant
A singular breathing entity that fractures the hollow space around one by simply being.
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QUICK SPIN: “Meet Me” by Donna Lewis & David Lowe
With “Meet Me,” Donna Lewis and David Lowe have crafted a track that is driven by precise clockwork motion.
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NEW NOISE: “My Twink Death” by Not Richard & Her Majesty
“My Twink Death” is a sonic ritual of reclamation.
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QUICK SPIN: “Pac’d Out” by Premier Jester
There is a calculated and tongue-in-cheek absurdity to the way Premier Jester has put together their latest single,”Pac’d Out”. It…
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DEBUT EP REVIEW: Catacouture by ghostbells
Catacouture is a collection that moves with a predator’s grace through the neon-slicked alleyways of the modern club scene.
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SOUND CHECK: False Idols by Contrasts
Contrasts is a band that knows exactly how to build something beautiful just to watch the weight of it bring…
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DEBUT ALBUM REVIEW: Karma Waters by Nook & Cranny
A record shaped by movement, memory, and the quiet confidence of musicians who know when to let the music lead.
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DEBUT ALBUM REVIEW: And I’d Do It Again by Only the Poets
And I’d Do It Again leaves one in the wreckage, feeling a little more exposed but significantly lighter.
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WATCH: “Friend or Faux” by Bitter Kisses featuring ChuggaBoom
A fully realised force of controlled anger and swaggering musical truth.
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QUICK SPIN: “Mechanical Woman” by Mechanical Woman
The sound of a woman entirely her own invention, one that is an old soul who found her voice in…
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NEW NOISE: “The Alpha” by Hex Poseur
“The Alpha” is a sharp edged piece of work that manages to feel both menacing and skeptical.
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QUICK SPIN: Temporary Tragedy” by ROREY
By letting vulnerability move forward rather than collapse inward, “Temporary Tragedy” finds ROREY turning private reckoning into something steady and…
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SOUND CHECK: Nothing Is All I Am by Virtue In Vain
Nothing Is All I Am by Virtue in Vain is a visceral pressure release.
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QUICK SPIN: “No Hay Adonde Ir” by Ana Schon
“No Hay Adonde Ir” places Ana Schon at the intersection of pressure and release, where noise-pop textures and Spanish lyrics…
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ALBUM REVIEW: Herezjarcha by Profane Elegy
This is black metal that thinks in long arcs, where violence and restraint circle each other.
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QUICK SPIN: “Haunted” by Crooked Fingers
By letting electronic pulses and emotional fallout share the same room without canceling each other out, Crooked Fingers steps into…
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DEBUT SINGLE: “Spoiler Alert” by Miss Configure
Miss Configure turns the concept of the pop anthem into a document of surrender.
