Shelia Taylor
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NEW NOISE: “I Hate People” (featuring Wednesday 13) by Lord Of The Lost
“I Hate People” turns shared anger into something cathartic, sharp, and unifying. It’s loud, tight, and unapologetically confrontational.
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QUICK SPIN: “I Know Where Mark Chen Lives” by Joyce Manor
It’s a track that distills everything they do well into a sharp and fast jolt to the aura senses.
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ALBUM REVIEW: The Things That I’ve Lost by Calling All Captains
Sounding sharpened by time rather than worn down by it, Calling All Captains return with The Things That I’ve Lost…
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ALBUM REVIEW: Liminal Beings and Their Echoes by David Boring
This is noise made intelligent, aggression made intentional, and emotion made unavoidable.
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ALBUM REVIEW: Following Omens by Semper Acerbus
Following Omens understands that heaviness means more than distortion and speed.
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DEBUT ALBUM REVIEW: Sounds of Malice by Redivider
Sounds of Malice maps myth, rituals, ruin, and force through disciplined control.
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DEBUT ALBUM REVIEW: Down in Flames by Glasgow Kiss
With Down in Flames, Glasgow Kiss delivers a debut album built on contrasts. The Norwegian five-piece pair hard-driving, power-rock grooves…
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ALBUM REVIEW: Verlust by Der Rote Milan
A precise and punishing reflection on loss and human frailty.
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NEW NOISE: “Immortal Love” by MIKA
“Immortal Love” is the kind of track that reminds one why pop can feel so alive when handled by someone…
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NEW NOISE: “I Don’t Believe In Ghosts” by Krooked Tongue
Krooked Tongue transforms grief into delicate and haunting musical moments with their latest single, “I Don’t Believe In Ghosts”.
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ALBUM REVIEW: Aiséirí Documentary OST by All Ireland Metal Project
Ireland’s metal community unites for a fierce and genre-spanning finale.
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EP REVIEW: Split 12” by Boozewa and Nowhere
Each side of the record maintains its own identity while contributing to a larger narrative of their noise, energy, and…
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DEBUT ALBUM REVIEW: The Explicit//The Exploited by Alfonso Conspiracy
Alfonso Conspiracy’s debut album, The Explicit//The Exploited, is an uncompromising exploration of isolation, rage, and artistic self-sufficiency. Max James’ command…
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ALBUM REVIEW: Inhale Vol. I
A high-voltage introductory guide to the thriving underground community of the electronic scene.
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ALBUM REVIEW: Troubadour by Tiberius
A set of songs that sit with discomfort, study it, and turn it into something brutally honest.
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LISTEN: “The Only Good Dictator Is a Dead Dictator” by Dead Animal Assembly Plant
“The Only Good Dictator Is a Dead Dictator” is a blistering reminder that aggression in art can be more than…
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ALBUM REVIEW: AC II: Desert Sky by Ask Carol
A road trip through sound, memory, and boundless creative freedom.
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LISTEN: “Radio Player” by Josaleigh Pollett
With “Radio Player”, Josaleigh Pollett navigates memory and fear through an experimental edge that merges analogue with indie rock and…
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EP REVIEW: daisy by Leilani Patao
Sharp and unguarded, Leilani Patao’s daisy arrives like small and honest confessions of a diary that is whispered through distortion.…
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ALBUM REVIEW: Opus Mortis by Outlaw
Opus Mortis by Outlaw doesn’t simply add to the blackened metal canon. It rips through it with exact brute force.…
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THE THINGS YOU DON’T KNOW YET: A Late Reflection on Adult Leisure’s Debut Album
The Things You Don’t Know Yet is an album for those who’ve learned that knowing often arrives too late, and…
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HIGH PRIESTESS: The Evolution of Qveen Herby
This isn’t just a story of artistic evolution. It’s a meditation on reclamation, on choosing self over spectacle, and on…
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LISTEN: “Painting of a Tree” by Tiberius
Tiberius have never sounded more human or more honest. The song doesn’t try to teach, but it still quietly transforms…
