Shelia Taylor
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LISTEN: “Radio Player” by Josaleigh Pollett
With “Radio Player”, Josaleigh Pollett navigates memory and fear through an experimental edge that merges analogue with indie rock and…
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EP REVIEW: daisy by Leilani Patao
Sharp and unguarded, Leilani Patao’s daisy arrives like small and honest confessions of a diary that is whispered through distortion.…
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ALBUM REVIEW: Opus Mortis by Outlaw
Opus Mortis by Outlaw doesn’t simply add to the blackened metal canon. It rips through it with exact brute force.…
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THE THINGS YOU DON’T KNOW YET: A Late Reflection on Adult Leisure’s Debut Album
The Things You Don’t Know Yet is an album for those who’ve learned that knowing often arrives too late, and…
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HIGH PRIESTESS: The Evolution of Qveen Herby
This isn’t just a story of artistic evolution. It’s a meditation on reclamation, on choosing self over spectacle, and on…
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LISTEN: “Painting of a Tree” by Tiberius
Tiberius have never sounded more human or more honest. The song doesn’t try to teach, but it still quietly transforms…
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ALBUM REVIEW: Panic Room With a View by Heather Aubrey Lloyd
Panic Room With a View is not simply a pandemic diary, nor a catalogue of setbacks, though its creation survived…
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LISTEN: “Nightshade” by The Noisy
“Nightshade” takes The Noisy’s eclectic recipe of indie drive and pop polish and folds it into something personal.
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LISTEN: “Dog Song” by Ana Schon
It’s noisy, messy, and utterly intentional. It’s music about the isolation that drives you inward, built in a way that…
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EP REVIEW: Suspect Your Elders by Last Hyena
With Suspect Your Elders, Last Hyena proves that instrumental rock can be both technically dazzling and emotionally charged in a…
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HOT TRACK: “Degradation” by RØRY
“Degradation” doesn’t aim for restraint. It’s a song that wants to be in your face, and it succeeds by channeling…
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LISTEN: “Surfer” by Last Hyena
“Surfer” delivers both an adrenaline jolt and a knowing wink at the traps of modern digital life. It’s clever, restless,…
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LISTEN: “What the Wind Takes” by Heather Aubrey Lloyd
“What the Wind Takes” is a song that refuses to look away from grief. It instead shapes it into something…
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LISTEN: “Back Where You Belong” by Cocktail Slippers
With “Back Where You Belong,” Cocktail Slippers prove why they remain one of the fiercest live-wire acts to emerge from…
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LISTEN: “Another Second Chance” by Rocket
It’s a track that positions Rocket as a band that is unafraid to balance noise, melody, and uncertainty.
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LISTEN: “Hold Fast” by Brutalligators
By pairing indie-punk urgency with flourishes that lean toward indiepop, Brutalligators’ latest single “Hold Fast” stands on a line between…
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EP REVIEW: Therapy Doesn’t Work by GØK2
The record never pretends to fix the world’s fractures. Instead, it throws itself into them, finding catharsis in noise, unity…
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DEBUT SINGLE: “One Last Chance” by Gatlin Black
It’s not nostalgia. It’s not posturing. It’s just five musicians turning survival into something that sounds like triumph.
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LISTEN: “Do What You Want, Be What You Are” and “Make You Whole” by The Lael Project (Lael Summer)
The Lael Project’s latest release is more than a tribute. It’s a reminder of the power Lael Summer carried in…
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EP REVIEW: Mid Welsh, Pt. 1 by Moletrap
Moletrap’s EP Mid Welsh, Pt. 1 is a declaration as much as it is a release. Across five tracks, the…
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LISTEN: “Did You Think That I Was Lost” by Ivan Moult
It’s the kind of song that feels less like a release and more like an atmosphere you step into.
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DEBUT SINGLE: “Ashes” by Clocktowers
Some debut singles introduce a band but “Ashes” announces one. As the centrepiece of Clocktowers’ upcoming record Genesis (date TBC),…
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LISTEN: “Ransom Note” by The Minimum Wage
That duality of comfort edged with estrangement underscores why The Minimum Wage continue to be a band worth watching.
