ALBUM REVIEW: life in cycle by fhae
Fhae converts the act of metamorphosis into musical shape and form.
Suggestions
SOUND CHECK: Human Herds by UUHAI
Human Herds, the debut album from UUHAI is a debut album that defies comparison.
SOUND CHECK: Human Tears by Six Going on Seven
Human Tears finds Six Going On Seven returning without nostalgia or apology.
QUICK SPIN: “Hearse” by Dead Animal Assembly Plant
“Hearse” embraces humour and hostility in equal measure.
NEW NOISE: “Left to Die” by Necronomicon Ex Mortis
The narrative is blunt, nasty, and proudly committed to gore.
QUICK SPIN: “Visions of a Crimson Moon” by Black Sea of Trees
Progressive metal that trusts its form to carry the story.
NEW NOISE: “I Hate People” (featuring Wednesday 13) by Lord Of The Lost
“I Hate People” turns shared anger into something cathartic, sharp, and unifying. It’s loud, tight, and unapologetically confrontational.
QUICK SPIN: “I Know Where Mark Chen Lives” by Joyce Manor
It’s a track that distills everything they do well into a sharp and fast jolt to the aura senses.
ALBUM REVIEW: The Things That I’ve Lost by Calling All Captains
Sounding sharpened by time rather than worn down by it, Calling All Captains return with The Things That I’ve Lost
ALBUM REVIEW: Liminal Beings and Their Echoes by David Boring
This is noise made intelligent, aggression made intentional, and emotion made unavoidable.
ALBUM REVIEW: Following Omens by Semper Acerbus
Following Omens understands that heaviness means more than distortion and speed.
DEBUT ALBUM REVIEW: Sounds of Malice by Redivider
Sounds of Malice maps myth, rituals, ruin, and force through disciplined control.
DEBUT ALBUM REVIEW: Down in Flames by Glasgow Kiss
With Down in Flames, Glasgow Kiss delivers a debut album built on contrasts. The Norwegian five-piece pair hard-driving, power-rock grooves
ALBUM REVIEW: Verlust by Der Rote Milan
A precise and punishing reflection on loss and human frailty.
NEW NOISE: “Immortal Love” by MIKA
“Immortal Love” is the kind of track that reminds one why pop can feel so alive when handled by someone
NEW NOISE: “I Don’t Believe In Ghosts” by Krooked Tongue
Krooked Tongue transforms grief into delicate and haunting musical moments with their latest single, "I Don’t Believe In Ghosts".
ALBUM REVIEW: Aiséirí Documentary OST by All Ireland Metal Project
Ireland’s metal community unites for a fierce and genre-spanning finale.
EP REVIEW: Split 12” by Boozewa and Nowhere
Each side of the record maintains its own identity while contributing to a larger narrative of their noise, energy, and
DEBUT ALBUM REVIEW: The Explicit//The Exploited by Alfonso Conspiracy
Alfonso Conspiracy’s debut album, The Explicit//The Exploited, is an uncompromising exploration of isolation, rage, and artistic self-sufficiency. Max James’ command
ALBUM REVIEW: Inhale Vol. I
A high-voltage introductory guide to the thriving underground community of the electronic scene.
ALBUM REVIEW: Troubadour by Tiberius
A set of songs that sit with discomfort, study it, and turn it into something brutally honest.
LISTEN: “The Only Good Dictator Is a Dead Dictator” by Dead Animal Assembly Plant
“The Only Good Dictator Is a Dead Dictator” is a blistering reminder that aggression in art can be more than
ALBUM REVIEW: AC II: Desert Sky by Ask Carol
A road trip through sound, memory, and boundless creative freedom.
LISTEN: “Radio Player” by Josaleigh Pollett
With “Radio Player”, Josaleigh Pollett navigates memory and fear through an experimental edge that merges analogue with indie rock and
