Shelia Taylor
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ALBUM REVIEW: It Can’t Rain All The Time by Silver Dollar Room
Unflinching honesty wrapped in explosive and anthemic alt-rock grit, Silver Dollar Room confronts shadows with their fearless sophomore record.
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EP REVIEW: Boring Songs For Boring People by Problem Patterns
The EP turns fatigue, frustration, and absurdity into fuel for some of Problem Patterns’ sharpest work yet.
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DEBUT ALBUM REVIEW: Kalamity Kills by Kalamity Kills
Volatility sculpted into craft and grit sharpened into melody.
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ALBUM REVIEW: Visions of Utopia by Electromancy
A seven-track journey built from chaos, struggle, and survival.
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REVIEW: Good Times by Alexei Shishkin
A fresh expression of creative freedom. One that embraces chance and immediacy over careful planning.
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ALBUM REVIEW: Choke on This by Stereophobia
An unrelenting thesis on how extreme music can interrogate the present without losing its appetite for sonic violence.
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LISTEN: “Boy Grows Old” by Adult Leisure
From the band’s forthcoming debut album, The Things You Don’t Know Yet (October 3rd), Adult Leisure’s “Boy Grows Old” captures…
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HOT TRACK: “Moving Sidewards into Lightning” by Erotic Secrets of Pompeii
“Moving Sidewards into Lightning” is a fascinating study in tension and release. It balances a smooth melodic flow with a…
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EP REVIEW: A Beginning by Dreams Of Gray
A Beginning is the kind of release that proves how extreme metal can be – brutal, beautiful, and intelligent all…
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EP REVIEW: Orchid Symmetry by Orchid Symmetry
A concentrated freight train that captures the experience of what Orchid Symmetry’s live set feels and sounds like.
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EP REVIEW: prove me wrong by cheerbleederz
Prove Me Wrong arrives as a confident and lean statement.
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HOT TRACK: “Have You Got What You Came Here For?” by Oswald Slain
Scrappy energy and risqué humour drive Oswald Slain’s rowdy new single, “Have You Got What You Came Here For?”.
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ALBUM REVIEW: The Missing Frame by Dying Awkward Angel
Crushing riffs, sharpened intent, and zero room for mercy.
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DEBUT ALBUM REVIEW: The Cycles of Extinction by Old Machines
The Cycles of Extinction succeeds because it takes big risks with story driven metal, orchestral grandeur, and science fiction themes…
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ALBUM REVIEW: S.S.R.I by Crop
Crop’s upcoming sophomore release S.S.R.I (August 22nd) is an album that refuses to play it safe. Where their self-titled debut…
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LISTEN: “Harry Nilsson” by Octoberman
With “Harry Nilsson”, Octoberman offers a warm and quiet tribute that’s as much about holding on as it is about…
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LISTEN: “Old Appalachia” by Jessey Adams
Jessey Adams’ ‘“Old Appalachia” marries road-hardened spirit with mountain warmth With “Old Appalachia”, Jessey Adams channels the grit of a…
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LISTEN: “Shapeshifting on a Saturday Night” by Avery Cochrane
Glittering pop hooks conceal the quiet ache of self-erasure.
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EP REVIEW: I Hardly Know Her by Neutral Snap
The riffs are tight, the choruses are big, and the energy is constant.
