Shelia Taylor
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ALBUM REVIEW: Pathetic Apathetic by Indoor Pets
Indoor Pets’ sophomore album Pathetic Apathetic is a triumphant return for the Kent-based indie rock quartet, showcasing a darker, grittier…
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DEBUT ALBUM REVIEW: In Hearts and Stone by World Times Three
Blending crushing riffs and heavy rhythms, World Times Three’s debut album, In Hearts and Stone, is a lesson in how…
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A CONVERSATION WITH…Forgotten Shrine
Brought together by a shared appreciation for bardcore, Sofia Frasz and Josh Alexander the duo behind Forgotten Shrine are combining…
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LISTEN: “Long Time Coming” by Supplemental Pills
Supplemental Pills venture into fresh sonic territory with their latest single, “Long Time Coming.” The song marks a notable shift…
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DEBUT ALBUM REVIEW: Vol 1: The Hymn of the Hunter by Voraath
Prepare yourself for an auditory adventure unlike any other. Voraath, a sci-fi horror-inspired extreme metal band from Asheville, North Carolina,…
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DEBUT EP REVIEW: Days of Grey by Red Vanilla
Hailing from Dundee, the alt-rock band Red Vanilla is making waves with their debut EP, Days of Grey. The EP…
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LISTEN: “My Heart is Willing” by Mines
Mines is set to debut on Lavender Sweep Records with their latest album Warm and Safe on July 5th and…
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ALBUM REVIEW: Volume II by Sons of Arrakis
Sons of Arrakis have raised their own bar with their latest album Volume II. The mesmerising album combines sci-fi ambiance…
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LISTEN: “Blues Fatigue” by My Best Unbeaten Brother
The UK-based indie rock trio, My Best Unbeaten Brother, known for their associations with Nosferatu D2, Tempertwig, and Superman Revenge…
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LISTEN: “The Right Stuff” by The Trampoline Delay
The Trampoline Delay, spearheaded by the multi-talented Pete Marino, continues to charm indie rock enthusiasts with their dynamic, guitar-driven tunes.…
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DEBUT ALBUM REVIEW: Cruce Signatus by Cruce Signatus
Cruce Signatus, the brainchild of Milwaukee-based multi-instrumentalist David Frazer, unveils its instrumental self-titled debut in a daring leap into the…
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A CONVERSATION WITH…Cruce Signatus
In the realm where history and music collide, few projects are as ambitious and intriguing as Cruce Signatus, the brainchild…
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ALBUM REVIEW: Art History by Perennial
Perennial is delivering a masterclass in modernist punk, blending 60s mod grooves, post-hardcore angles, and experimental electronic flair into a…
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LISTEN: “Bossfight” by Gnarlah
Gnarlah, the British Nu-Metal powerhouse, returns with a vengeance in their latest single, “Bossfight.” A fierce blend of explosive riffs…
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DEBUT ALBUM REVIEW: Tintoretto by Tintoretto
Tintoretto, the Milwaukee-based post-hardcore band, is set to unleash their long-lost self-titled debut album on June 7. Originally recorded in…
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HOT TRACK: “Forget Me” by All the Damn Vampires and Brandon Saller
If I’m honest, I wouldn’t know Lewis Capaldi out of a line up of two and I wouldn’t know a…
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HOT TRACK: “It’s Not Love” by Enola
With their debut EP, All is Forgiven released last year, Enola has returned with “It’s Not Love”. Blending their post-punk…
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A CONVERSATION WITH…Bitty of Deathwish
Deathwish the relentless hardcore punk band hailing from northern Wisconsin is on the cusp of their latest release, The Fourth…
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ALBUM REVIEW: The Fourth Horseman by Deathwish
Deathwish has consistently delivered a potent blend of thrashy hardcore punk since their inception in 2014. Their latest album, The…
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LISTEN: “Pupula Duplex” by Matte Blvck
From the industrial shadows of San Diego, Matte Blvck’s latest sonic offering, “Pupula Duplex” not only reinforces the trio’s dominance…
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ALBUM REVIEW: The Hyphenate: Disc 1 by J57
THE HYPHENATE: DISC 1 by J57 is a bold and personal project that marks a significant shift in the J57’s…
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DEBUT ALBUM REVIEW: Curse of the Commonwealth by Funeral at Sea
Curse of the Commonwealth, the debut album by Funeral at Sea, is a poignant and introspective journey through the acoustic…
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A CONVERSATION WITH…Dead Harrison
Dead Harrison’s latest album, None for All, marks a pivotal moment in their musical journey, blending metal, gothic, psychedelic rock,…
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ALBUM REVIEW: None for All by Dead Harrison
Dead Harrison‘s None for All is proof of the band’s ability to transform darkness into a symphony of doom and…