LISTEN: “Landslides (people change)” by Bottlemoth

Bottlemoth’s newest single, “Landslides (people change),” is an introspective indie-folk track that captures the spirit of transformation with striking originality. Another precursor to their debut album Even Us Ghosts due for release October 17, “Landslides (people change),” skillfully weaves themes of change, homecoming, and personal evolution into its fabric.

The track’s standout feature is its rhythmic complexity. As a nod to math rock, Bottlemoth incorporates a seven-count time signature that lends the song an intriguing and cyclical momentum. This unconventional choice creates a sense of uncertainty and flux that perfectly mirrors the lyrical exploration of change. As the song transitions into a more straightforward four-count chorus, it mirrors the relief and clarity that often follows periods of turmoil.

“Landslides (people change)” is a reflection of the band’s own journey as vocalist Ethan Proctor draws from his own experiences of moving back to Somerset from London. This infuses the song with a genuine sense of contemplation and soul searching. He says,

“Sometimes change is expected, and sometimes it’s a surprise. It can be terrifying, though more often than not change can be necessary. We can dwell on things, we can hunker down in a rut. Taking some time to look inward is important, and I can forget that. It’s a cool revelation to think we are forever finding ourselves again and again.”

Produced across home studios with additional input from Joe Marsh and mixed by Adrian Hall, the song blends organic indie-folk elements with a sophisticated and experimental edge. The result is a track that not only speaks to personal experiences but also shows off Bottlemoth’s creative range and technical skill.

In “Landslides (people change),” Bottlemoth delivers a track that is deeply personal while offering a fresh perspective on the emotional landscape of change. It’s a compelling listen for anyone who has ever faced a significant transition in their own life.

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