In a landscape where personal experiences often find their way into music, Samuel Rogers’ debut album Project Albany offers a unique perspective rooted in the realities of small-town life. As a second-year college student at Oregon State University and a music artist hailing from Albany, Oregon, Samuel has taken bold steps to share a narrative that is both personal and socially relevant.
With its innovative approach within the experimental hip-hop genre, Project Albany tackles subjects that are sometimes overlooked in mainstream music such as gentrification, racism, and income inequality. With a focus on these themes, Samuel uses his platform to shed light on the complexities of life in Albany. This is not just music but a vital conversation starter that draws one into the heart of Samuel’s experience.
Tracks like “Santiam Road SE” confronts police brutality head-on with a focus on the tragic story of James Plymell. The rawness of this track underscores the urgency of its message and captures the frustration and pain surrounding systemic injustice. This bold choice reflects Samuel’s commitment to authenticity, turning personal observations into broader social critiques.
One of the standout tracks, “Sundown Town,” marks a shift in the album with its softer and more atmospheric sound. The track serves as a reflective moment and allows one to absorb the messages woven throughout the album.
Closing track, “I Don’t Wanna Talk About Albany,” creatively interpolates Adrianne Lenker’s “anything,” showcasing Samuel’s knack for vocal production and songwriting. By twisting an existing melody into a new narrative, the track emphasises the artist’s ability to weave personal stories with familiar sounds.
In a world saturated with music that often shies away from difficult conversations, Samuel Rogers boldly confronts the realities of growing up in Albany. His debut album is not only a reflection of his journey but also a call to one to engage with the world around them.
