DEBUT ALBUM REVIEW: What We Fear the Most by Attic Theory

Led by vocalist Lewis Wright, and backed by guitarists Peter Donnelly, Tim Cunningham, and Matt Lawler, along with the thunderous rhythm section of bassist Kenny McArthur and drummer Norm Walker, Attic Theory channels the raw energy and gritty spirit reminiscent of late 90s and early 2000s rock. That spirit can be heard in their debut album What We Fear the Most, out on April 26th.

“Violent Delight,” the album’s lead single, sets the tone with its high-octane anthem tackling the issue of constant deception head-on. With Lewis’ fierce vocals leading the charge, the track exposes the darkness lurking beneath the surface, delivering a cathartic punch of truth.

While the album’s title, What We Fear The Most, captures its essence, a collection of raw and honest songs delving into the depths of human emotions. From the explosive riffs of “Tattooed Heart” to the melodic melancholy of “Narrow Lines,” Attic Theory explores themes of loss, heartbreak, and the universal struggles of life with unflinching honesty.

For Lewis, the album holds a deeply personal significance. Halfway through the recording process, he faced a daunting challenge with throat surgery, fearing he might never sing again. Yet, his resilience and determination shine through in every note, a testament to the healing power of music. At times, the grit in his vocals remind me of M. Shadows  of Avenged Sevenfold, Danny Worsnop of Asking Alexandria, and Adam Gontier.

Stand out track “Papier-Mâché” with Kevin Martin of Candlebox is where Lewis’ commanding vocals shine as does the band’s musical work. It’s harmonious, with sharp and explosive guitars, and catchy grooves.

Produced by Loïc Gaillard, What We Fear The Most is evidence of the band’s evolution, blending elements of alternative rock and grunge with a modern edge.

What We Fear The Most is an album where one can confront their fears, find solace in shared experiences, and embrace the healing power of music.

MUST LISTEN TRACKS: “Dare to Dream”, “Narrow Lines”, “Papier-Mâché”, “Sweet Parasite”