DEBUT EP REVIEW: Stew by Potato

Led by the multifaceted Bob Corduroy along with Sam Zissou on drums, Matt Wildman on bass and guitars, and Sam Honey on guitar, Potato’s debut EP Stew (July 26) is a study on the intricacies of human emotion and delivers an enthralling blend of hazy atmospheres and poignant lyricism.

Unfolding with a narrative rich with personal revelations and sonic experimentation, Stew‘s opening track, “Roll,” sets the stage with its shuffling rhythms and contemplative lyrics that muse on the complexities of modern dating culture. The theme of examination continues to permeate through tracks like “Alright,” which intricately weaves together the delicate threads of a failing relationship with a musical finesse.

What sets Stew apart is its ability to juxtapose raw vulnerability with melodic tranquillity. Tracks like “Post-Potato Reprise” ingeniously blend vivid, everyday moments with lush musical backdrops, transporting one from gritty urban scenes to dreamlike sonic landscapes. This juxtaposition reaches its pinnacle in the meditative “Almost Gone,” where polyrhythmic grooves and serene clarinets coalesce into a poignant exploration of loss and acceptance.

The EP’s instrumental interludes serve as breaths of contemplative air amidst the lyrical intensity, enhancing the overall sense of space and atmosphere that permeates each track. Culminating in the evocative “2K22,” Potato masterfully navigates through themes of melancholy and redemption. It’s a shimmering salute to soul searching.

Each track on Stew not only showcases the band’s musical progress but also reflects their emotional growth. It invites one to find echoes of their own stories within its melodies. With its blend of heartfelt lyricism, intricate arrangements, and infectious melodies, Potato‘s debut EP is a compelling journey into the healing of a heart.