Arizona’s Joan of Arkansas proves that noise-rock and power-pop can share the same fiery stage with their latest EP, High Four. The four-track project delivers a whirlwind of sound that’s chaotic, catchy, and unapologetically loud. Seamlessly blending influences ranging from stoner metal to ’70s glam rock, the band’s genre-hopping tendencies make The High Four both unpredictable and addictive.
The standout single, “Omaha, Oh Nomaha!”, anchors the EP with its anthemic energy and massive chorus. Inspired by the exodus of Phoenix’s artistic youth and their inevitable return, the track channels a raw and relatable sense of place. Its roaring guitars and soaring vocals capture the tug-of-war between wanderlust and hometown loyalty by embodying the essence of their Phoenix roots.
From start to finish, The High Four showcases Joan of Arkansas at their most cohesive and confident. “Omaha, Oh Nomaha” and “Neck Deep in the New Money” layers biting riffs with tongue-in-cheek commentary, while “Bruise Cruise” hurdles forward with punk-fueled intensity. Closing track “Holy Dive Bar” slows the pace just enough to let its garage-rock swagger shine through.
Engineered, produced, and mastered by drummer Sean Harris, The High Four feels raw yet polished, letting the band’s DIY ethos and creative synergy speak for themselves.
As Joan of Arkansas put it,
“We’ve hit our stride.”
The High Four proves it. Whether you’re a fan of noise, pop, or pure sonic chaos, the EP demands a spot on your playlist and maybe even that mixtape your cool cousin would make for you.
