If a band hooks me with a bass, I’m guaranteed for the long haul. The UK’s Jackals does just that with their latest single, “Woodcutter’s Lies”.
The heavy drums, thundering guitars, and fierce vocals are icing on the cake.
“Woodcutter’s Lies” explores vocalist Thé’s experience of sexual assault and the band says this of the song,
The central metaphor of ‘Woodcutter’s Lies’ delves into the issue of providing testimony, particularly how intimate crimes are often dismissed due to a lack of external evidence. The song highlights the hypocrisy of a testimony-based legal system in a patriarchal society. The song’s melody mirrors the emotional journey of survivors, oscillating between anger and sorrow, often punctuated by cynicism and mistrust – often coming from the very systems meant to bring them ‘justice.
photo by Joe Berisford
Apart from the compelling bass, it’s Thé’s vocals on “Woodcutter’s Lies” that truly steal the spotlight. Thé’s singing is a rich and quivering fusion reminiscent of Siouxsie Sioux and perhaps a Disney villainess. There’s a captivating equilibrium between strength and delicacy, anger and forgiveness in Thé’s vocal performance. The ability to seamlessly transition between these emotions creates a raw and visceral experience, marked by unflinching honesty.
Jackals are firmly in the vanguard, unafraid to intertwine their music with the issues that resonate with them and “Woodcutter’s Lies” is a prime example of their dedication to blending their music with powerful, thought-provoking themes.
