DEBUT ALBUM REVIEW: After Everything Else by The Breathing Method The Breathing Method’s debut album, After Everything Else (January 24th), is a raw and unapologetic exploration of life’s highs, lows,
DEBUT ALBUM REVIEW: Nude #9 by Camille Schmidt Camille Schmidt’s Nude #9, out on January 10th, is a captivating exploration of identity, intimacy, and self-reflection, combining bold lyrical
DEBUT ALBUM REVIEW: Witches by Simon Ostini Austrian-born, Sweden-based virtuoso guitarist Simon Ostini’s debut solo album, Witches, is a thrilling ride through the world of instrumental rock,
DEBUT ALBUM REVIEW: Nullpunkt by Coldspine With their debut album Nullpunkt, Coldspine crafts a potent exploration of doom and sludge metal across nine tracks that span
DEBUT ALBUM REVIEW: Spectrum by Am I in Trouble? On Spectrum, the debut album from Am I in Trouble?, multi-instrumentalist Steve Wiener channels the restless creativity of early 2000s
DEBUT ALBUM REVIEW: Inner Self by In We Fall In We Fall has set a new standard in alternative metal with their debut album, Inner Self, out December 13th.
DEBUT ALBUM REVIEW: Della Nova by DELLA NOVA London-based rock trio DELLA NOVA bursts onto the scene with their high-octane debut album, Della Nova (out December 13th). From
DEBUT ALBUM REVIEW: L’appel Du Vide by Kir Kir’s debut album, L’appel Du Vide, is an intense and atmospheric dive into the depths of urban despair and existential
DEBUT ALBUM REVIEW: Rags to Rage by Hellfire 76 Hellfire 76’s Rags to Rage is an unapologetically dark and wickedly fun ride.
DEBUT ALBUM REVIEW: Oizys by Aoidos Portuguese blackened death metal outfit Aoidos deliver a stunning debut with Oizys (out November 29th), a conceptually rich and musically
DEBUT ALBUM REVIEW: Everything Hurts and I’m Dying by Negative Bliss Negative Bliss makes their mark with the debut EP, Everything Hurts and I’m Dying, releasing November 1st. The four-track project
ALBUM REVIEW: The Hanged Man by Barren Barren’s debut album, The Hanged Man out on October 31, is a visceral five track album that turns personal struggle
DEBUT ALBUM REVIEW: Moonface Supreme by Children of The Pope Children of The Pope’s debut album Moonface Supreme feels like an electrifying dive into the darker corners of South London’s
DEBUT ALBUM REVIEW: Aircutter by TV Pins Creating a fresh sound, TV Pins seamlessly combine chiming Britpop with the sun-soaked vibes of 70s West Coast music and
DEBUT ALBUM REVIEW: Metamorphosis by Sadie Campbell Sadie Campbell’s debut album, Metamorphosis, set to release on October 25, is a masterful blend of genres and emotions that
DEBUT ALBUM REVIEW: They Have Become Me by Tanaya Harper Tanaya Harper‘s debut album, They Have Become Me marks a significant moment in her career while showcasing her ability to
DEBUT ALBUM REVIEW: An Encyclopedia of Patriarchy (incomplete) by B of Briz B of Briz’s debut album, An Encyclopedia of Patriarchy (incomplete), arrives on October 18, 2024 and delivers a bold critique
DEBUT ALBUM REVIEW: Even Us Ghosts by Bottlemoth Even Us Ghosts by Bottlemoth - a layered indie-folk journey
DEBUT ALBUM REVIEW: Stiletto by Gut Health Gut Health‘s debut album Stiletto isn’t just another dance-punk record. It’s a captivating exploration of tension, uncertainty, and communal release.
DEBUT ALBUM REVIEW: Starcrazy by Starcrazy Starcrazy‘s debut album, out on October 18, delivers a refreshing surge of energy to the rock scene, masterfully blending the
MUSIC NEWS: The Eggmen Whoooooo! release their final, pre-debut album single “It’s Just Your Mind” [MEDIA RELEASE] No advice is better than bad advice as psych-punk supergroup, The Eggmen Whoooooo! release their final, pre-debut album single… “It’s
DEBUT ALBUM REVIEW: Old City New Ruins by Feldspar In Old City New Ruins, Feldspar proves that they are much more than just newcomers to the hardcore scene. Their
DEBUT ALBUM REVIEW: The Soundtrack by Baby Schillaci Baby Schillaci‘s debut album, THE SOUNDTRACK, is more than just a furious onslaught of glorious noise. It’s a statement of
DEBUT ALBUM REVIEW: This is How We Die by Crushing Low Crushing Low’s debut album This Is How We Die may be only twelve minutes long, but in that brief window,