Shelia Taylor
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NEW NOISE: “I Don’t Believe In Ghosts” by Krooked Tongue
Krooked Tongue transforms grief into delicate and haunting musical moments with their latest single, “I Don’t Believe In Ghosts”.
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ALBUM REVIEW: Aiséirí Documentary OST by All Ireland Metal Project
Ireland’s metal community unites for a fierce and genre-spanning finale.
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EP REVIEW: Split 12” by Boozewa and Nowhere
Each side of the record maintains its own identity while contributing to a larger narrative of their noise, energy, and…
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DEBUT ALBUM REVIEW: The Explicit//The Exploited by Alfonso Conspiracy
Alfonso Conspiracy’s debut album, The Explicit//The Exploited, is an uncompromising exploration of isolation, rage, and artistic self-sufficiency. Max James’ command…
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ALBUM REVIEW: Inhale Vol. I
A high-voltage introductory guide to the thriving underground community of the electronic scene.
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ALBUM REVIEW: Troubadour by Tiberius
A set of songs that sit with discomfort, study it, and turn it into something brutally honest.
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LISTEN: “The Only Good Dictator Is a Dead Dictator” by Dead Animal Assembly Plant
“The Only Good Dictator Is a Dead Dictator” is a blistering reminder that aggression in art can be more than…
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ALBUM REVIEW: AC II: Desert Sky by Ask Carol
A road trip through sound, memory, and boundless creative freedom.
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LISTEN: “Radio Player” by Josaleigh Pollett
With “Radio Player”, Josaleigh Pollett navigates memory and fear through an experimental edge that merges analogue with indie rock and…
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EP REVIEW: daisy by Leilani Patao
Sharp and unguarded, Leilani Patao’s daisy arrives like small and honest confessions of a diary that is whispered through distortion.…
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ALBUM REVIEW: Opus Mortis by Outlaw
Opus Mortis by Outlaw doesn’t simply add to the blackened metal canon. It rips through it with exact brute force.…
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THE THINGS YOU DON’T KNOW YET: A Late Reflection on Adult Leisure’s Debut Album
The Things You Don’t Know Yet is an album for those who’ve learned that knowing often arrives too late, and…
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HIGH PRIESTESS: The Evolution of Qveen Herby
This isn’t just a story of artistic evolution. It’s a meditation on reclamation, on choosing self over spectacle, and on…
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LISTEN: “Painting of a Tree” by Tiberius
Tiberius have never sounded more human or more honest. The song doesn’t try to teach, but it still quietly transforms…
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ALBUM REVIEW: Panic Room With a View by Heather Aubrey Lloyd
Panic Room With a View is not simply a pandemic diary, nor a catalogue of setbacks, though its creation survived…
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LISTEN: “Nightshade” by The Noisy
“Nightshade” takes The Noisy’s eclectic recipe of indie drive and pop polish and folds it into something personal.
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LISTEN: “Dog Song” by Ana Schon
It’s noisy, messy, and utterly intentional. It’s music about the isolation that drives you inward, built in a way that…
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EP REVIEW: Suspect Your Elders by Last Hyena
With Suspect Your Elders, Last Hyena proves that instrumental rock can be both technically dazzling and emotionally charged in a…
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HOT TRACK: “Degradation” by RØRY
“Degradation” doesn’t aim for restraint. It’s a song that wants to be in your face, and it succeeds by channeling…
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LISTEN: “Surfer” by Last Hyena
“Surfer” delivers both an adrenaline jolt and a knowing wink at the traps of modern digital life. It’s clever, restless,…
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LISTEN: “What the Wind Takes” by Heather Aubrey Lloyd
“What the Wind Takes” is a song that refuses to look away from grief. It instead shapes it into something…
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LISTEN: “Back Where You Belong” by Cocktail Slippers
With “Back Where You Belong,” Cocktail Slippers prove why they remain one of the fiercest live-wire acts to emerge from…
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LISTEN: “Another Second Chance” by Rocket
It’s a track that positions Rocket as a band that is unafraid to balance noise, melody, and uncertainty.
