Music Review
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ALBUM REVIEW: Weapons Of Mass Seduction by Lord of the Lost
Around the same time last year, Lord of the Lost released Blood & Glitter and it shot its way to…
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DEBUT ALBUM REVIEW: Hey Living People by Dominum
In September, Dominum inked a global deal with Napalm Records, unveiling their debut album, Hey Living People, anchored by the…
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DEBUT ALBUM REVIEW: Holy Tears by Holy Tears
San Diego-based Holy Tears introduces their self-titled eleven-track album, led by Alex Burtson on guitar, Greg Gerardi on bass, and…
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DEBUT ALBUM REVIEW: Wildfire by Katielou
Working with producer Jon Greening on her singles, “Boys”, “Embers”, and the EP Households was the catalyst for Katielou’s debut…
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ALBUM REVIEW: Last Days on Earth by Svartanatt
Influenced by the sound of the 60s and 70s where organs and guitars harmoniously danced in a wonderful tête-à-tête, Sweden’s…
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EP REVIEW: Urbana by Fellahin Fall
Formed in 2019, Fellahin Fall made a name for themselves with their album Tar a-Kan (2020) and their latest offering,…
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ALBUM REVIEW: Cherries in the Head by Tencu/eleOnora
If immersive auditory experience is your thing, then you must experience Cherries in the Head, the sophomore album from experimental…
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DEBUT ALBUM REVIEW: False Hope for the Savage by False Hope for the Savage
Nestled quietly in between the spam emails of SEO trolls, great hosting scams, and a ton of emails written in…
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DEBUT EP REVIEW: No Use Praying by Cash & Carter
With a name like Cash & Carter, one would expect heartfelt, soulful, country music. After all, the names alone are…
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DEBUT EP REVIEW: 16,000 Days on Earth by Dead Prophet Alive
16,000 Days on Earth, the debut EP by Dead Prophet Alive, expresses a profound concept of time and perhaps life…
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EP REVIEW: Magick Helmet by Megaton Leviathan
Utilising fuzz upon fuzz upon fuzz and thundering bass, Megaton Leviathan’s EP, Magick Helmet is a moody trip through atmospheric…
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DEBUT EP REVIEW: Static Projections by Trusted Arcs
The debut EP, Static Projections, from the UK’s Trusted Arcs is a balance of raw intensity and an almost subdued…
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EP REVIEW: Pool Party! by Shit the Cow
Don’t the name fool you. There is nothing shitty about Sweden’s Shit the Cow. While their name may not be…
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DEBUT ALBUM REVIEW: Saltpig by Saltpig
With a name like Saltpig, there are a couple of ways the music can go – metal or industrial, maybe…
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EP REVIEW: blue (the remxes) by Robert Baxter
Naarm (Melbourne) artist Robert Baxter boldly entrusts the reinterpretation of their own work into the capable hands of Scratching (Grace…
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DEBUT EP REVIEW: Live at the Rockfield by Small Miracles
Often artists want polished studio versions of songs to showcase their arrival, but not one to conform to societal rules,…
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EP REVIEW: Infinity by These Foundations
Bath’s These Foundations unveiled their second EP, Infinity, just last month and the four-track release serves as a natural progression…
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EP REVIEW: Luna by AAWKS
Let me be honest, I didn’t even know psychedelic doom metal existed until I discovered AAWKS, and I can say…
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EP REVIEW: Goodbye to the Valley Low by Hazlett
For those seeking the ideal soundtrack for a tranquil, sun-drenched day then it can be found in Goodbye to the…
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ALBUM REVIEW: The Beginning by Genus Ordinis Dei
Genus Ordinis Dei have been gearing up for the release of The Beginning (December 8th, Eclipse Records) with a stunning…
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EP REVIEW: Happy Endings are Overrated by The Bad Electric
Swansea’s DIY band, The Bad Electric are Jonny Randell (guitar, vocals), Matt Williams (guitar, synth, vocals), Zach Williams (bass, vocals),…
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DEBUT ALBUM REVIEW: SuperPowers by Shop Front Heroes
After teasing fans with singles, the debut album, SuperPowers from Shop Front Heroes has arrived. One could say it’s an…
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DEBUT ALBUM REVIEW: Slumped Up by Oya Paya
Comprising of singer and guitarist Maxime McGowan, bassist Saam Jafarzadeh, and drummer Ashwin Menon, Oya Paya‘s debut album, Slumped Up,…
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DISCOVER: Read the Room
The 90’s alternative music scene called, and its pissed British rockers Read the Room didn’t exist back then. Hailing from…