Music Review
-
ALBUM REVIEW: Star Sign by Ryan Adams
My initial reaction to Ryan Adams dropping five albums at once was to digest them as quickly as possible, but…
-
ALBUM REVIEW: Omnivore by At the Plates
With a goal to combine his love of good food with his love of great death metal, Tony Rouse founded…
-
ALBUM REVIEW: Heatwave by Ryan Adams
If you live under a rock, the master wordsmith, Ryan Adams, dropped five albums. Previously only available on vinyl, Ryan…
-
ALBUM REVIEW: 1985 by Ryan Adams
It’s only two days into 2024 and the prolific singer songwriter, Ryan Adams, has dropped not one, not two, but…
-
EP REVIEW: Digital Pollution by Wasp Mother
Hailing from Massachusetts, Wasp Mother is a four piece grindcore band that is preparing for an assault to the ears…
-
ALBUM REVIEW: Darkness by The OddEven
Be it a sign from somewhere beyond earth or a signal deep within the Earth’s magnetic field, The OddEven are…
-
ALBUM REVIEW: Blackfin by Into the Deep
From the murky depths of North Carolina, Into the Deep are unhooking their latest release, Blackfin, on January 3rd. While…
-
DEBUT ALBUM REVIEW: Where There Are Dreams There are Dragons Vol 1 by A Thousand Faces
Just as the sun sets on 2023, Kamauu and Mick Schultz, under the guise of the moniker, A Thousand Faces,…
-
ALBUM REVIEW: Weapons Of Mass Seduction by Lord of the Lost
Around the same time last year, Lord of the Lost released Blood & Glitter and it shot its way to…
-
DEBUT ALBUM REVIEW: Hey Living People by Dominum
In September, Dominum inked a global deal with Napalm Records, unveiling their debut album, Hey Living People, anchored by the…
-
DEBUT ALBUM REVIEW: Holy Tears by Holy Tears
San Diego-based Holy Tears introduces their self-titled eleven-track album, led by Alex Burtson on guitar, Greg Gerardi on bass, and…
-
DEBUT ALBUM REVIEW: Wildfire by Katielou
Working with producer Jon Greening on her singles, “Boys”, “Embers”, and the EP Households was the catalyst for Katielou’s debut…
-
ALBUM REVIEW: Last Days on Earth by Svartanatt
Influenced by the sound of the 60s and 70s where organs and guitars harmoniously danced in a wonderful tête-à-tête, Sweden’s…
-
EP REVIEW: Urbana by Fellahin Fall
Formed in 2019, Fellahin Fall made a name for themselves with their album Tar a-Kan (2020) and their latest offering,…
-
ALBUM REVIEW: Cherries in the Head by Tencu/eleOnora
If immersive auditory experience is your thing, then you must experience Cherries in the Head, the sophomore album from experimental…
-
DEBUT ALBUM REVIEW: False Hope for the Savage by False Hope for the Savage
Nestled quietly in between the spam emails of SEO trolls, great hosting scams, and a ton of emails written in…
-
DEBUT EP REVIEW: No Use Praying by Cash & Carter
With a name like Cash & Carter, one would expect heartfelt, soulful, country music. After all, the names alone are…
-
DEBUT EP REVIEW: 16,000 Days on Earth by Dead Prophet Alive
16,000 Days on Earth, the debut EP by Dead Prophet Alive, expresses a profound concept of time and perhaps life…
-
EP REVIEW: Magick Helmet by Megaton Leviathan
Utilising fuzz upon fuzz upon fuzz and thundering bass, Megaton Leviathan’s EP, Magick Helmet is a moody trip through atmospheric…
-
DEBUT EP REVIEW: Static Projections by Trusted Arcs
The debut EP, Static Projections, from the UK’s Trusted Arcs is a balance of raw intensity and an almost subdued…
-
EP REVIEW: Pool Party! by Shit the Cow
Don’t the name fool you. There is nothing shitty about Sweden’s Shit the Cow. While their name may not be…
-
DEBUT ALBUM REVIEW: Saltpig by Saltpig
With a name like Saltpig, there are a couple of ways the music can go – metal or industrial, maybe…
-
EP REVIEW: blue (the remxes) by Robert Baxter
Naarm (Melbourne) artist Robert Baxter boldly entrusts the reinterpretation of their own work into the capable hands of Scratching (Grace…
-
DEBUT EP REVIEW: Live at the Rockfield by Small Miracles
Often artists want polished studio versions of songs to showcase their arrival, but not one to conform to societal rules,…