Whew boy. Fates Messenger has released one helluva debut single with “Scars”.
But wait, there’s more.
Fates Messenger also released their second single, “Bonechapel” at the same time.
Colour me, the happiest little metal head.
To say “Scars” rocks is an understatement. It’s heavy with guttural vocals, bombastic rhythms, and ear piercing guitars that leave one breathing heavy and wanting more.
I’m gonna say this, and I know I’m gonna catch flack for it, but Tony Maddock’s vocals are a less animalistic version of Alex Terrible from Slaughter to Prevail. While Tony’s vocals on “Scars” are harsh, they are beautifully clean. His growls and bleghs are stunning and more importantly, I can understand what Tony is singing, growling, and screaming. I can’t always say the same for Alex, whose voice I do dig. This is a hill I’m gonna die on with honour and pride.
Joining Tony on the ballistic assault in “Scars” is Ron D (guitars), Paul Fletcher (bass), and Will Romain (drums) and any of these names are making one go hmmm, then look no further than the the legendary acts Above All, Romeo Must Die, and Dishonour The Crown.
On “Scars, Tony says,
“The lyrical theme to this song came to me while I was reading a heartbreaking story in the media about a teenager who had taken their life due to the ongoing bullying and abuse they had suffered online and physically within their social circles. A cruel and sad reflection on just how inhumane and vicious humans can be in this harsh new world which we have created, where there’s no escape from this kind of mental and physical abuse and how the smallest comment can have a long lasting effect on a person’s life whether it be face to face or online.”
For me the savagery of bullies is brilliantly conveyed through the onslaught of the heavy music in “Scars” and while the vocals may be considered harsh with the lyrics they offer not only hope but a hand to grab on to in a time when one may feel alone.
The song is not only perfect from start to finish, it is perfect in delivery and message.
“Scars” is heavy, visceral, and a gut punch that only leaves one begging for more.
