Shelia Taylor
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11 Artists to Watch in 2024
I don’t have a finger on the pulse of the music industry nor am I a psychic that’s going to…
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ALBUM REVIEW: Weapons Of Mass Seduction by Lord of the Lost
Around the same time last year, Lord of the Lost released Blood & Glitter and it shot its way to…
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DEBUT SINGLE: “Fall of the Firmament” by Slaughtersun
Reflecting on the collapse of the world, the death metal quartet of Justin Hillman, vocals, Ben Karas, guitar, Cody McCorry,…
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DEBUT ALBUM REVIEW: Hey Living People by Dominum
In September, Dominum inked a global deal with Napalm Records, unveiling their debut album, Hey Living People, anchored by the…
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DEBUT ALBUM REVIEW: Holy Tears by Holy Tears
San Diego-based Holy Tears introduces their self-titled eleven-track album, led by Alex Burtson on guitar, Greg Gerardi on bass, and…
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LISTEN: “Faith” by Srai
The best thing about music is being surprised by music. When the word metal appears, there are a few expectations…
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LISTEN: “Save Yourself” by Palooka
With Chuck Campbell on vocals, Chris Quinn and Glen Logan on guitars, Howard Binner on bass, and Jason Reaves on…
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DEBUT ALBUM REVIEW: Wildfire by Katielou
Working with producer Jon Greening on her singles, “Boys”, “Embers”, and the EP Households was the catalyst for Katielou’s debut…
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WATCH: “Wasted” by Black Daggers
From their debut concept album Phantasmagoria, Black Daggers has released a video for the song “Wasted”. In our review of…
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DISCOVER: Pacifica
Born from the pandemic and founded on friendship and their Welsh roots, Pacifica’s goal is to simply to get one…
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HOT TRACK: “Tell It To My Heart” by Ferris McFoley
As a child of the 80s, Taylor Dayne holds a revered place among my musical icons. Speaking ill of Ms.…
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ALBUM REVIEW: Last Days on Earth by Svartanatt
Influenced by the sound of the 60s and 70s where organs and guitars harmoniously danced in a wonderful tête-à-tête, Sweden’s…
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EP REVIEW: Urbana by Fellahin Fall
Formed in 2019, Fellahin Fall made a name for themselves with their album Tar a-Kan (2020) and their latest offering,…
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DISCOVER: Battery Acid
Battery Acid emerges as a breath of fresh air in the realm of alternative punk rock. This all-female quintet, born…
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LISTEN: “Bodies” by Julia Lostrom
Julia Lostrom’s current single, “Bodies” is an afro pop and R&B celebration of the rare emotional and physical resonance between…
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EP & SHORT FILM REVIEW: Life After Her by Apache Grosse
The EP, Life After Her by Apache Grosse is an experience that is both auditory and visual. The auditory, Life…
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TOP 11 Songs of 2023
There were a lot of fantastic songs in 2023, but these were the eleven songs that made us use an…
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TOP 11 Cover Songs of 2023
There were a lot of great cover songs, but these eleven reigned supreme. “Bye Bye Bye” by Audience of Rain…
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ALBUM REVIEW: Cherries in the Head by Tencu/eleOnora
If immersive auditory experience is your thing, then you must experience Cherries in the Head, the sophomore album from experimental…
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LISTEN: “Disappear” by The Dryas
Unravelling as a poignant indie ballad delving into the depths of memory and the passage of time, “Disappear” from The…
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DEBUT ALBUM REVIEW: False Hope for the Savage by False Hope for the Savage
Nestled quietly in between the spam emails of SEO trolls, great hosting scams, and a ton of emails written in…
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DEBUT SINGLE: “Only Nineteen” by Caleb Francis
Stepping boldly onto the musical stage this November with his debut single, “Only Nineteen”, Caleb Francis is crafting music that…
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DISCOVER: Black Note Graffiti
Introducing Black Note Graffiti, a quintet hailing from Michigan comprising Kris Keller on guitar and vocals, Gabrielle Bryant on vocals…
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LISTEN: “Give Me a Sign” by The Ritz
Formed in March 2023, the four-piece band from Burton on Trent, The Ritz features Robbie Joyce, lead vocalist and rhythm…