Shelia Taylor
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ALBUM REVIEW: Heatwave by Ryan Adams
If you live under a rock, the master wordsmith, Ryan Adams, dropped five albums. Previously only available on vinyl, Ryan…
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ALBUM REVIEW: 1985 by Ryan Adams
It’s only two days into 2024 and the prolific singer songwriter, Ryan Adams, has dropped not one, not two, but…
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EP REVIEW: Digital Pollution by Wasp Mother
Hailing from Massachusetts, Wasp Mother is a four piece grindcore band that is preparing for an assault to the ears…
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Bass & Beats :: Issue 01
Kicking off the inaugural Bass & Beats Playlist are 16 tracks that have great bass, beats, or both. There’s no rhyme…
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ALBUM REVIEW: Darkness by The OddEven
Be it a sign from somewhere beyond earth or a signal deep within the Earth’s magnetic field, The OddEven are…
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ALBUM REVIEW: Blackfin by Into the Deep
From the murky depths of North Carolina, Into the Deep are unhooking their latest release, Blackfin, on January 3rd. While…
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DEBUT ALBUM REVIEW: Where There Are Dreams There are Dragons Vol 1 by A Thousand Faces
Just as the sun sets on 2023, Kamauu and Mick Schultz, under the guise of the moniker, A Thousand Faces,…
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11 Artists to Watch in 2024
I don’t have a finger on the pulse of the music industry nor am I a psychic that’s going to…
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ALBUM REVIEW: Weapons Of Mass Seduction by Lord of the Lost
Around the same time last year, Lord of the Lost released Blood & Glitter and it shot its way to…
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DEBUT SINGLE: “Fall of the Firmament” by Slaughtersun
Reflecting on the collapse of the world, the death metal quartet of Justin Hillman, vocals, Ben Karas, guitar, Cody McCorry,…
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DEBUT ALBUM REVIEW: Hey Living People by Dominum
In September, Dominum inked a global deal with Napalm Records, unveiling their debut album, Hey Living People, anchored by the…
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DEBUT ALBUM REVIEW: Holy Tears by Holy Tears
San Diego-based Holy Tears introduces their self-titled eleven-track album, led by Alex Burtson on guitar, Greg Gerardi on bass, and…
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LISTEN: “Faith” by Srai
The best thing about music is being surprised by music. When the word metal appears, there are a few expectations…
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LISTEN: “Save Yourself” by Palooka
With Chuck Campbell on vocals, Chris Quinn and Glen Logan on guitars, Howard Binner on bass, and Jason Reaves on…
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DEBUT ALBUM REVIEW: Wildfire by Katielou
Working with producer Jon Greening on her singles, “Boys”, “Embers”, and the EP Households was the catalyst for Katielou’s debut…
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WATCH: “Wasted” by Black Daggers
From their debut concept album Phantasmagoria, Black Daggers has released a video for the song “Wasted”. In our review of…
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DISCOVER: Pacifica
Born from the pandemic and founded on friendship and their Welsh roots, Pacifica’s goal is to simply to get one…
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HOT TRACK: “Tell It To My Heart” by Ferris McFoley
As a child of the 80s, Taylor Dayne holds a revered place among my musical icons. Speaking ill of Ms.…
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ALBUM REVIEW: Last Days on Earth by Svartanatt
Influenced by the sound of the 60s and 70s where organs and guitars harmoniously danced in a wonderful tête-à-tête, Sweden’s…
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EP REVIEW: Urbana by Fellahin Fall
Formed in 2019, Fellahin Fall made a name for themselves with their album Tar a-Kan (2020) and their latest offering,…
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DISCOVER: Battery Acid
Battery Acid emerges as a breath of fresh air in the realm of alternative punk rock. This all-female quintet, born…
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LISTEN: “Bodies” by Julia Lostrom
Julia Lostrom’s current single, “Bodies” is an afro pop and R&B celebration of the rare emotional and physical resonance between…
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EP & SHORT FILM REVIEW: Life After Her by Apache Grosse
The EP, Life After Her by Apache Grosse is an experience that is both auditory and visual. The auditory, Life…
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TOP 11 Songs of 2023
There were a lot of fantastic songs in 2023, but these were the eleven songs that made us use an…