Shelia Taylor
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NEW NOISE: “Friend or Faux” by Bitter Kisses featuring ChuggaBoom
Controlled, cutting, and unapologetically direct.
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NEW NOISE: “A Field Near Leeds” by Faux Hex
Plays like a lost scene from a David Lynch film that has been translated into sound.
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SOUND CHECK: Time to Harvest by Sacri Suoni
Time to Harvest favours restraint over brute force by shaping heaviness through pacing and density.
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QUICK SPIN: “I Wish You Well” by Mylo Bybee
Mylo Bybee sharpens their emotional focus on their latest single.
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QUICK SPIN: “Om Mani Padme Hum” by Rina Rain
I’m a sucker for a good mantra song and Rina Rain’s “Om Mani Padme Hum” not only qualifies as one,…
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A CONVERSATION WITH…Brendan Wright of Tiberius
In our conversation with Brendan, he talks about growth, discomfort, and why sometimes the most honest thing an album can…
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SOUND CHECK: Fire and Blood by Viserion
Viserion turns fantasy lore into a disciplined black metal record that is driven by structure as much as fury.
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ALBUM REVIEW: life in cycle by fhae
Fhae converts the act of metamorphosis into musical shape and form.
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SOUND CHECK: Human Herds by UUHAI
Human Herds, the debut album from UUHAI is a debut album that defies comparison.
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SOUND CHECK: Human Tears by Six Going on Seven
Human Tears finds Six Going On Seven returning without nostalgia or apology.
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QUICK SPIN: “Hearse” by Dead Animal Assembly Plant
“Hearse” embraces humour and hostility in equal measure.
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NEW NOISE: “Left to Die” by Necronomicon Ex Mortis
The narrative is blunt, nasty, and proudly committed to gore.
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QUICK SPIN: “Visions of a Crimson Moon” by Black Sea of Trees
Progressive metal that trusts its form to carry the story.
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NEW NOISE: “I Hate People” (featuring Wednesday 13) by Lord Of The Lost
“I Hate People” turns shared anger into something cathartic, sharp, and unifying. It’s loud, tight, and unapologetically confrontational.
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QUICK SPIN: “I Know Where Mark Chen Lives” by Joyce Manor
It’s a track that distills everything they do well into a sharp and fast jolt to the aura senses.
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ALBUM REVIEW: The Things That I’ve Lost by Calling All Captains
Sounding sharpened by time rather than worn down by it, Calling All Captains return with The Things That I’ve Lost…
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ALBUM REVIEW: Liminal Beings and Their Echoes by David Boring
This is noise made intelligent, aggression made intentional, and emotion made unavoidable.
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ALBUM REVIEW: Following Omens by Semper Acerbus
Following Omens understands that heaviness means more than distortion and speed.
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DEBUT ALBUM REVIEW: Sounds of Malice by Redivider
Sounds of Malice maps myth, rituals, ruin, and force through disciplined control.
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DEBUT ALBUM REVIEW: Down in Flames by Glasgow Kiss
With Down in Flames, Glasgow Kiss delivers a debut album built on contrasts. The Norwegian five-piece pair hard-driving, power-rock grooves…
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ALBUM REVIEW: Verlust by Der Rote Milan
A precise and punishing reflection on loss and human frailty.
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NEW NOISE: “Immortal Love” by MIKA
“Immortal Love” is the kind of track that reminds one why pop can feel so alive when handled by someone…
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NEW NOISE: “I Don’t Believe In Ghosts” by Krooked Tongue
Krooked Tongue transforms grief into delicate and haunting musical moments with their latest single, “I Don’t Believe In Ghosts”.
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ALBUM REVIEW: Aiséirí Documentary OST by All Ireland Metal Project
Ireland’s metal community unites for a fierce and genre-spanning finale.