Shelia Taylor
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ALBUM REVIEW: Prisoners (Live) by Ryan Adams
If I’m completely honest, I wasn’t going to do a review of the Prisoners (Live) by Ryan Adams, but then…
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LISTEN: “Opinion” by pMad
In his latest single aptly named “Opinion,” Paul Dillion, known as pMad from Ireland, boldly infuses his unique perspective into…
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LISTEN: “Liar” by Pigeon Club
Defence mechanisms come in all shapes and sizes. Be it humour, distance, or anger, humans have an internal weapon to…
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ALBUM REVIEW: Sword & Stone by Ryan Adams
The final of Ryan Adam’s tetralogy is Sword & Stone and dare I say, the best of them all?! With…
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HOT TRACK: “Utterly Rudderless” by Erotic Secrets of Pompeii
Erotic Secrets of Pompeii refer to themselves as an apocalyptic art rock band, but they are so much more than…
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HOT TRACK: “No Thank You for the Music” by Frank Turner
Frank Turner has entered 2024 with a bang! Even better to say, he’s entered his angry man stage. Just don’t…
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ALBUM REVIEW: Star Sign by Ryan Adams
My initial reaction to Ryan Adams dropping five albums at once was to digest them as quickly as possible, but…
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ALBUM REVIEW: Omnivore by At the Plates
With a goal to combine his love of good food with his love of great death metal, Tony Rouse founded…
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ALBUM REVIEW: Heatwave by Ryan Adams
If you live under a rock, the master wordsmith, Ryan Adams, dropped five albums. Previously only available on vinyl, Ryan…
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ALBUM REVIEW: 1985 by Ryan Adams
It’s only two days into 2024 and the prolific singer songwriter, Ryan Adams, has dropped not one, not two, but…
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EP REVIEW: Digital Pollution by Wasp Mother
Hailing from Massachusetts, Wasp Mother is a four piece grindcore band that is preparing for an assault to the ears…
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Bass & Beats :: Issue 01
Kicking off the inaugural Bass & Beats Playlist are 16 tracks that have great bass, beats, or both. There’s no rhyme…
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ALBUM REVIEW: Darkness by The OddEven
Be it a sign from somewhere beyond earth or a signal deep within the Earth’s magnetic field, The OddEven are…
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ALBUM REVIEW: Blackfin by Into the Deep
From the murky depths of North Carolina, Into the Deep are unhooking their latest release, Blackfin, on January 3rd. While…
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DEBUT ALBUM REVIEW: Where There Are Dreams There are Dragons Vol 1 by A Thousand Faces
Just as the sun sets on 2023, Kamauu and Mick Schultz, under the guise of the moniker, A Thousand Faces,…
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11 Artists to Watch in 2024
I don’t have a finger on the pulse of the music industry nor am I a psychic that’s going to…
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ALBUM REVIEW: Weapons Of Mass Seduction by Lord of the Lost
Around the same time last year, Lord of the Lost released Blood & Glitter and it shot its way to…
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DEBUT SINGLE: “Fall of the Firmament” by Slaughtersun
Reflecting on the collapse of the world, the death metal quartet of Justin Hillman, vocals, Ben Karas, guitar, Cody McCorry,…
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DEBUT ALBUM REVIEW: Hey Living People by Dominum
In September, Dominum inked a global deal with Napalm Records, unveiling their debut album, Hey Living People, anchored by the…
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DEBUT ALBUM REVIEW: Holy Tears by Holy Tears
San Diego-based Holy Tears introduces their self-titled eleven-track album, led by Alex Burtson on guitar, Greg Gerardi on bass, and…
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LISTEN: “Faith” by Srai
The best thing about music is being surprised by music. When the word metal appears, there are a few expectations…
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LISTEN: “Save Yourself” by Palooka
With Chuck Campbell on vocals, Chris Quinn and Glen Logan on guitars, Howard Binner on bass, and Jason Reaves on…
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DEBUT ALBUM REVIEW: Wildfire by Katielou
Working with producer Jon Greening on her singles, “Boys”, “Embers”, and the EP Households was the catalyst for Katielou’s debut…
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WATCH: “Wasted” by Black Daggers
From their debut concept album Phantasmagoria, Black Daggers has released a video for the song “Wasted”. In our review of…