Review
DEBUT ALBUM REVIEW: Bleed to Life by Vonavibe
Bleed to Life, the debut album by Vonavibe could’ve been the album that never was. Vonavibe…
EP REVIEW: Live at Bakehouse by Lipstereo
Australia’s four-piece Lipstereo recently released their EP Live at Bakehouse and while the band covers a…
EP REVIEW: Time is Elastic by Middle Part
I was finally able to sit down and spend some time with Time is Elastic by…
EP REVIEW: Working Memory by Sun Spot
Bristol’s 4 piece, Sun Spot, recently announced they signed with Venn Records and have now released…
ALBUM REVIEW: Blood & Glitter Deluxe Edition by Lord of the Lost
We reviewed Blood & Glitter Track by Track and this review will focus on the extra…
EP REVIEW: Tales of a Taurus by Rebecca Lappa
Released earlier this month, Tales of a Taurus by Rebecca Lappa showcases the growth of the…
ALBUM REVIEW: Roden House Blues by The Hip Priests
Released at the beginning of May, the 5th studio album, Roden House Blues by The Hip…
SONG REVIEW: “Baptize” by Saving Abel
There was not a chance I wasn’t going to like “Baptize” by Saving Abel. I have…
EP REVIEW: Retro Future Soundscape by All the Damn Vampires
The latest EP from All the Damn Vampires, Retro Future Soundscapes lives up to its title….
ALBUM REVIEW: Black Arcs Rising by Statues
The trio that forms Statues, Johan Sellman on vocals and guitar, Magnus Egerbladh Öberg on drums,…
EP REVIEW: 275 Kings Point Road by Olive Louise
We recently reviewed the song “Moroccan Oranges” by Olive Louise and we have finally gotten the…
EP REVIEW: EP2 by The Know
Formed in late 2018, Daniel Knowles and Jennifer Farmer forwent travelling and stayed in LA to…
DEBUT ALBUM REVIEW: The Beginning of Everything by Alma Mater
Hailing from Oregon, Dirk Sullivan and Andrew Paul Woodworth, are better known as the duo Alma…
SONG REVIEW: “Dead Wrestlers” by Baby Schillaci
First, I owe Baby Schillaci an apology. I’ve been pronouncing their name wrong. It’s not ‘shh-uh-laci”…
TRACK BY TRACK: Deathproof by Krooked Tongue
On Friday May 5th, Bristol based trio Krooked Tongue will be dropping their sophomore EP, Deathproof,…
ALBUM REVIEW: Damn Love by Kip Moore
One of the most highly anticipated albums on my 2023 list has been Damn Love by…
TRACK by TRACK: Past Selves by Sub-Radio
I discovered Sub-Radio a few weeks ago, when the Instagram algorithms suggested I might like a…
ALBUM REVIEW: Laws of Entropy by Redshift
When I first heard “Entropy” by Redshift, I thought: Pure madness. Glorious madness. Those two statesmens…
DEBUT ALBUM REVIEW: What a Weird Hill to Die On by Old Dirty Buzzard
Kicking off What a Weird Hill to Die On (out on April 28th) is a cover…
ALBUM REVIEW: Sock by Sock
Harmonies – check. Deep 60’s 70’s chill – check. If one is craving the sounds of…
DEBUT ALBUM REVIEW: Superglue by Joan
There’s a period within the late 90’s and early 2000’s where alternative rock had a distinct…
SONG REVIEW: “Moroccan Oranges” by Olive Louise
“Moroccan Oranges” is from NY singer songwriter, Olive Louise and was inspired by the passing of…
SONG REVIEW: “Chinatown” by Middle Part
Brooklyn-based Middle Part’s latest single, “Chinatown” features Yuno and it’s the definition of indie pop at…
ALBUM REVIEW: Angus McSix and the Sword of Power by Angus McSix
So the story goes… After Prince Angus heroically died in one of the greatest battles in…
SONG REVIEW: “Doctor’s Note” by Bitter Kisses
Ahead of their April 28th release of “Doctor’s Note”, we got a sneak listen of the…
ALBUM REVIEW: 72 Seasons by Metallica
Does Metallica’s 72 Seasons need another review? Probably not. Am I writing one anyway? You bet…
REVIEW: “My Head is Broken” by Violet Blend featuring Tired Violence
Ahead of the April 28th release of “My Head is Broken” by Violet Blend featuring Tired…
REVIEW: “Antivenom” by Audience of Rain
Confession, when I first saw the artwork for “Antivenom” by Audience of Rain, I saw two…
