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Bass & Beats :: Issue 01
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ALBUM REVIEW: Darkness by The OddEven
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ALBUM REVIEW: Blackfin by Into the Deep
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DEBUT ALBUM REVIEW: Where There Are Dreams There are Dragons Vol 1 by A Thousand Faces
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11 Artists to Watch in 2024
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ALBUM REVIEW: Weapons Of Mass Seduction by Lord of the Lost
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DEBUT SINGLE: “Fall of the Firmament” by Slaughtersun
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DEBUT ALBUM REVIEW: Hey Living People by Dominum
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DEBUT ALBUM REVIEW: Holy Tears by Holy Tears
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LISTEN: “Faith” by Srai
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TOUR NEWS: Freya and Rig Time! Announce January 2024 Tour Dates
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LISTEN: “Save Yourself” by Palooka
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DEBUT ALBUM REVIEW: Wildfire by Katielou
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ICYMI: Rockshot Records announced the release of Karn of Burnings by Unshine
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WATCH: “Wasted” by Black Daggers
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DISCOVER: Pacifica
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HOT TRACK: “Tell It To My Heart” by Ferris McFoley
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ALBUM REVIEW: Last Days on Earth by Svartanatt
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EP REVIEW: Urbana by Fellahin Fall
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DISCOVER: Battery Acid
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Frostbite Orckings Make History with AI Generated Heavy Metal Album
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LISTEN: “Bodies” by Julia Lostrom
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EP & SHORT FILM REVIEW: Life After Her by Apache Grosse
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TOP 11 Songs of 2023
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TOP 11 Cover Songs of 2023
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ALBUM REVIEW: Cherries in the Head by Tencu/eleOnora
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LISTEN: “Disappear” by The Dryas
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DEBUT ALBUM REVIEW: False Hope for the Savage by False Hope for the Savage
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DEBUT SINGLE: “Only Nineteen” by Caleb Francis
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DISCOVER: Black Note Graffiti
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LISTEN: “Give Me a Sign” by The Ritz
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WATCH: “Not in Love With You” by Norzin Chomphel
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DEBUT EP REVIEW: No Use Praying by Cash & Carter
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LISTEN: “My Freya” by Dead Runes
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DEBUT EP REVIEW: 16,000 Days on Earth by Dead Prophet Alive
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LISTEN: “Will You Still Come Back Tomorrow?” by Glassio
