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ALBUM REVIEW: Sick Boi by Ren
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ALBUM REVIEW: Make (Less) Babies by The Guru Guru
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HOT TRACK: “Night Terrors” by Spelles
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DEBUT EP REVIEW: My Dreamworld by Lilac Haze
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Chance the Rapper Surprises fans at SXSW Sydney
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SXSW Sydney 2023 Recap Day 4-7
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ALBUM REVIEW: IV by Marvelous 3
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HOT TRACK: “Danced Alone (who I am when I’m in love)” by Humm
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LISTEN: “Over the Phone”by Delilah Brao
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LISTEN: “Running Back” by Alexis de la Rocha
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LISTEN: “Black and White” by Annie Dressner
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DEBUT ALBUM REVIEW: Another Day in Paradise by Part Time Signals
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SXSW Sydney 2023 – Day One
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WATCH: “Your Blood Awaits You” by tAKiDA
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LISTEN: “Please Lie to Me” by Beatowls
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HOT TRACK: “Powdered Sugar” by The Box Rebellion
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LISTEN: “In View” by Cosial
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DEBUT ALBUM REVIEW: DK.01 by Das Koolies
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LISTEN: “Postcards” by Skateland
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HOT TRACK: “She Knows” by Miranda Joan
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ICYMI: Charley Crockett announces Australian tour
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DEBUT ALBUM REVIEW: Muriel by Muriel
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DEBUT ALBUM REVIEW: With a Smile by Best Ex
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HOT TRACK: “Genesis” by Genus Ordinis Dei
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ALBUM REVIEW: The Falling by Aiwass
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ALBUM REVIEW: Strange Adrenaline by Nat Vazer
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Dark Folk Blackgaze Project Suldusk Signs Worldwide Contract with Napalm Records
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DEBUT ALBUM REVIEW: All Gas No Brakes by Heavy Lungs
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HOT TRACK: “Sabretooth Monkey” by My Octopus Mind
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ARTIST SPOTLIGHT: Ren
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VIDEO: “Darkness Won’t Take Me” by Shores of Null
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ICYMI: Swedish Rock Trio The Gems debut album, Phoenix, to be released on January 26, 2024 via Napalm Records
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ALBUM REVIEW: A Fiesta and a Hell by Lauren Lakis
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DISCOVER: Pen Pin
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ALBUM REVIEW: Noctomb by Noctomb
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ALBUM REVIEW: Nothing Clever, Just Feelings by CLT DRP
