Review
DEBUT ALBUM REVIEW: Hey Living People by Dominum
In September, Dominum inked a global deal with Napalm Records, unveiling their debut album, Hey Living…
DEBUT ALBUM REVIEW: Holy Tears by Holy Tears
San Diego-based Holy Tears introduces their self-titled eleven-track album, led by Alex Burtson on guitar, Greg…
DEBUT ALBUM REVIEW: Wildfire by Katielou
Working with producer Jon Greening on her singles, “Boys”, “Embers”, and the EP Households was the…
ALBUM REVIEW: Last Days on Earth by Svartanatt
Influenced by the sound of the 60s and 70s where organs and guitars harmoniously danced in…
EP REVIEW: Urbana by Fellahin Fall
Formed in 2019, Fellahin Fall made a name for themselves with their album Tar a-Kan (2020)…
EP & SHORT FILM REVIEW: Life After Her by Apache Grosse
The EP, Life After Her by Apache Grosse is an experience that is both auditory and…
ALBUM REVIEW: Cherries in the Head by Tencu/eleOnora
If immersive auditory experience is your thing, then you must experience Cherries in the Head, the…
DEBUT ALBUM REVIEW: False Hope for the Savage by False Hope for the Savage
Nestled quietly in between the spam emails of SEO trolls, great hosting scams, and a ton…
DEBUT EP REVIEW: No Use Praying by Cash & Carter
With a name like Cash & Carter, one would expect heartfelt, soulful, country music. After all,…
DEBUT EP REVIEW: 16,000 Days on Earth by Dead Prophet Alive
16,000 Days on Earth, the debut EP by Dead Prophet Alive, expresses a profound concept of …
EP REVIEW: Magick Helmet by Megaton Leviathan
Utilising fuzz upon fuzz upon fuzz and thundering bass, Megaton Leviathan’s EP, Magick Helmet is a…
DEBUT EP REVIEW: Static Projections by Trusted Arcs
The debut EP, Static Projections, from the UK’s Trusted Arcs is a balance of raw intensity…
EP REVIEW: Pool Party! by Shit the Cow
Don’t the name fool you. There is nothing shitty about Sweden’s Shit the Cow. While their…
DEBUT ALBUM REVIEW: Saltpig by Saltpig
With a name like Saltpig, there are a couple of ways the music can go –…
EP REVIEW: blue (the remxes) by Robert Baxter
Naarm (Melbourne) artist Robert Baxter boldly entrusts the reinterpretation of their own work into the capable…
DEBUT EP REVIEW: Live at the Rockfield by Small Miracles
Often artists want polished studio versions of songs to showcase their arrival, but not one to…
EP REVIEW: Infinity by These Foundations
Bath’s These Foundations unveiled their second EP, Infinity, just last month and the four-track release serves…
EP REVIEW: Luna by AAWKS
Let me be honest, I didn’t even know psychedelic doom metal existed until I discovered AAWKS,…
EP REVIEW: Goodbye to the Valley Low by Hazlett
For those seeking the ideal soundtrack for a tranquil, sun-drenched day then it can be found…
ALBUM REVIEW: The Beginning by Genus Ordinis Dei
Genus Ordinis Dei have been gearing up for the release of The Beginning (December 8th, Eclipse…
EP REVIEW: Happy Endings are Overrated by The Bad Electric
Swansea’s DIY band, The Bad Electric are Jonny Randell (guitar, vocals), Matt Williams (guitar, synth, vocals),…
DEBUT ALBUM REVIEW: SuperPowers by Shop Front Heroes
After teasing fans with singles, the debut album, SuperPowers from Shop Front Heroes has arrived. One…
DEBUT ALBUM REVIEW: Slumped Up by Oya Paya
Comprising of singer and guitarist Maxime McGowan, bassist Saam Jafarzadeh, and drummer Ashwin Menon, Oya Paya‘s…
DISCOVER: Read the Room
The 90’s alternative music scene called, and its pissed British rockers Read the Room didn’t exist…
DEBUT EP REVIEW: Tiny World by Kaylah Thomas
The debut EP, Tiny World (December 1) from Victoria’s Kaylah Thomas is far from tiny. In…
EP REVIEW: The Silent Call by Crpytosis
On December 1st, Dutch metal trio Cryptosis are set to release their new EP The Silent…
EP REVIEW: Reign by Orian
With twenty-four years under his belt, producer and engineer, Orian is no stranger around music. His…
DEBUT EP REVIEW: Wicked Doubt by Halceon Daze
Given our rigorous spam filtering, we review each email flagged as spam to ensure nothing valuable…
